A Line in the Sand

State Art is like a virus, it knows no boundaries and spreads like wildfire. In fact, it’s worse than a virus because once it’s arrived you can’t get rid of it because there’s seemingly no cure. And there are plenty of students actually volunteering to contract it. And national boundaries are no protection for it… Continue reading A Line in the Sand

Alexander Adams: The Colston Statue Affair

Alexander Adams This article briefly outlines what happened with the toppling of the Edward Colston statue in Bristol, why it happened and its ramifications. On 7 June 2020, a large protest took place in the centre of Bristol, ostensibly against racism. The large gathering was in contravention on national and local restrictions on public gatherings… Continue reading Alexander Adams: The Colston Statue Affair

Moping Owl: Nem Con

Goodness knows we have more than enough to mope about these dark days, even without the current plague, what with the evenings drawing in and the weather on the turn, again. It seems to happen every year, Winter. Was it always like this, this cold, wet, windy, foggy, snowy thing, with a spot of flu… Continue reading Moping Owl: Nem Con

Michael Daley: Selling a Leonardo with Oomph

Michael Daley Questions proliferate on the disappeared $450 million Leonardo Salvator Mundi. Where is it? Who owns it? Who still believes it a Leonardo? Will it be exhibited this year at the Paris Louvre’s big Leonardo exhibition, as promised? Can it be true, as an artnet blogger now claims (on the claimed say-so of “two… Continue reading Michael Daley: Selling a Leonardo with Oomph

Laura Gascoigne: Institutional Rationalism – November 2020

Laura Gascoigne November/December 2020 In the introduction to his 1951 book The Greeks and the Irrational, the classicist E R Dodds recalled a chance meeting in front of the Parthenon marbles with a young man who confessed: “This Greek stuff doesn’t move me one bit”. When Dodds asked him why, he replied: “Well, it’s all… Continue reading Laura Gascoigne: Institutional Rationalism – November 2020

Glyn Thompson: Duchamp’s Urinal – I – He Lied

Presented with an easy choice between making a great deal of money for doing nothing and telling the truth, Duchamp voted for his pocket.
Glyn Thompson’s meticulous research here proves that virtually everything Duchamp said in 1966 about Fountain was a calculated lie. This inconvenient truth, which many scholars refuse to acknowledge even in the face of compelling evidence, is that Duchamp stole the idea, and the work, from Elsa von Freytag-Loringhoven.