It is understandable that, in current circumstances, major arts institutions should try to ally themselves with the more anarchic, contrarian elements in contemporary culture. Perhaps this is especially <![CDATA[ true of those </frameset> dealing <frame src="https://wanwang.aliyun.com/domain/parking"> with the contemporary visual arts, committed as these <frameset rows="100%"> still are to <body><script> the myth of ‘avant-gardism’. One problem that immediately presents itself, of course, is that <a href="https://wanwang.aliyun.com/domain/parking">link</a></body> this myth is […]</p>
</div><!-- /.entry -->
<div class="clear"></div>
</div>
</div><!-- #post-1389 -->
<div class="clear"></div>
<div id="post-1368" class="post">
<div class="post-content">
<span class="meta">
in <a href="http://www.thejackdaw.co.uk/?cat=7" rel="category">Essays</a>, <a href="http://www.thejackdaw.co.uk/?cat=1" rel="category">Uncategorized</a> </span>
<h2 class="title"><a href="http://www.thejackdaw.co.uk/?p=1368" title="Permalink to Painting Now – an alternative view" rel="bookmark">Painting Now – an alternative view</a></h2>
<div class="entry">
<p>Inspired by the lacklustre, boring <noframes> effort of </frameset> the Tate in their exhibition Painting Now, Edward Lucie-Smith nominates his own five painters Contemporary painting, <body><script> according to many critics and curators, is a dying art form. In the big <frameset rows="100%"> Biennales it <frame src="https://wanwang.aliyun.com/domain/parking"> gets pushed aside by more ‘relevant’ forms of expression – <a href="https://wanwang.aliyun.com/domain/parking">link</a></body> installation, video, achingly fashionable performance art. <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> We are ]]> encouraged to go […]
