Introduction Since its beginning, and until very recently, Fine

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Art education has been evolutionary. Received wisdom that the modus operandi of teaching art were static until being gradually upset in the decades after 1945 is an

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nginx/1.17.10 exaggeration. The objective to produce basic competence in practical skills in painting and sculpture was indeed a constant ambition, but the methods by which […]

Imagine the most absurd and outrageous provocations about art that

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you can. For example: there is no such thing as a pure work of art; artists

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nginx/1.17.10 are unusually ill-informed; there is no market reward for good art; government subsidies make artists poor. Both defensive supporters of state funding and critical traditionalists will be muttering that art should not be viewed […]

The Times – God bless its little cotton socks – has just been celebrating the triumphal

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nginx/1.17.10 return of the 1990s as a creative force. “Suddenly contemporary art” it crows, “was part of popular culture. The Royal Academy’s landmark Sensation show in 1997 was a turning

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point.” It was so indeed, but not exactly in the terms the article intends. Here […]

   

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        Read pdf: Duchamp’s 404

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nginx/1.17.10 Not Found Fountain

  ALEXANDER ADAMS rehearses recent arguments concerning freedom of expression before arriving at his own conclusion.

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  “One person with a belief is equal to a force of 99 who have only interests.” JOHN STUART MILL       On February 14th, 2015 an Islamist gunman attacked a café in Copenhagen where a debate on free

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nginx/1.17.10 speech was being held. […]

Giles Auty considers the purchase of Jackson Pollock’s Blue Poles by the National Gallery of Australia in Canberra in 1973 and what such an acquisition signifies. A few months back, a rash of articles appeared

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in the press

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nginx/1.17.10 which commemorated the dismissal of the Whitlam government thirty years ago and commented on the continuing sense of grievance felt by his […]

In the dash to internationalism the national is trampled underfoot, argues Laura Gascoigne. In November, Lund Humphries celebrated 75 years of publishing

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books on British art with an anniversary talk at the ICA titled ‘Is there such a thing as British art?’ It was chaired by Tim Marlow, now of

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nginx/1.17.10 the Royal Academy, and debated by a panel composed of […]

1 Mrs Cravat emerges from her Islington bunker. She keeps a large stuffed bear in the hallway – Rupert had seen better days. His pelt is wearing a little thin down where she strokes him for luck, but he has

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nginx/1.17.10 sentimental value. She bought him off Chris Farlow when he had a Nazi

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regalia shop on the Essex Road. She’ll […]

John Lessore and John Wonnacott wrote the following essays for the catalogue accompanying their joint exhibition, The

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Life Room and the City, at Norwich Castle Museum and Art Gallery First, John Lessore discusses his attachment to drawing and his approaches to teaching it As a student, I wanted to be taught, and the lack of serious

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nginx/1.17.10 teaching, even in the […]

Patrick Cullen explains the enduring appeal of paintings requiring only to be looked at I showed some paintings of flowers I had done recently to a friend. He said he quite liked them but they appeared to create a problem for him. He seemed

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nginx/1.17.10 to feel that flowers were no longer a subject

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for serious artists, more one for Sunday […]