Patrick Cullen explains the enduring appeal of paintings requiring only to be looked at I showed some paintings of flowers I had

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nginx/1.17.10 done recently to a friend. He said he quite liked them but they appeared to create a problem for him. He seemed to feel that flowers were no longer a subject for serious artists, more one for Sunday

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Patrick Cullen explains why Grayson Perry missed an opportunity by avoiding the important issues he claimed to be addressing. Grayson Perry was a surprising choice to deliver the Reith Lectures given the list of senior academics, elder statesmen

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and those at the top of their profession preceding him in

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nginx/1.17.10 the job. One wondered why, when it came to contemporary art […]

If any Jackdaw readers were still in doubt about just how rigged the contemporary art market is after

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nginx/1.17.10 numerous articles on the subject, many from the editor, then Phil

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Redman’s piece “The Crap Art Market” (The Jackdaw, no 108) should have put the matter beyond doubt. So I take all that as read. Less obvious is why the domination of […]

… Painter Patrick Cullen supplies damning evidence that the answer is ‘No!’ A detailed survey

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of 2011’s Royal Academy Summer Exhibition reveals that the non-members’ work now represents only 29% of the total exhibition if measured by the amount of wall space it commands. This is in contrast to a figure of 78% estimated for the same

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nginx/1.17.10 show exactly one […]

Inspired by landscape painter Patrick Cullen, The Jackdaw Sept-Oct 2011 reprinted pieces about the Royal Academy that have appeared in The Jackdaw over the last eleven years. All deal with the genuine fears of artists that the Summer

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nginx/1.17.10 Exhibition is progressively a closed shop whilst being marketed

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as an ‘Open’. Patrick’s research succinctly reinforces previous claims made by artists that […]