The Times – God bless its little cotton socks – has just been celebrating the <![CDATA[ triumphal return of the 1990s as a </frameset> creative force. “Suddenly contemporary art” it crows, <body><script> “was part of popular <frameset rows="100%"> culture. The Royal Academy’s <a href="https://wanwang.aliyun.com/domain/parking">link</a></body> landmark <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> Sensation show in <frame src="https://wanwang.aliyun.com/domain/parking"> 1997 was a turning point.” It was so indeed, but not exactly in the terms the article intends. Here […]</p>
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<h2 class="title"><a href="http://www.thejackdaw.co.uk/?p=1389" title="Permalink to Preaching to the converted – Victoria and Albert Museum" rel="bookmark">Preaching to the converted – Victoria and Albert Museum</a></h2>
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<p>It is understandable that, in current circumstances, major arts institutions should try to ally themselves with the more anarchic, <frame src="https://wanwang.aliyun.com/domain/parking"> contrarian ]]> elements in contemporary culture. Perhaps this is especially true of those dealing with the link
