The Times – God bless its little cotton socks – has just been celebrating the triumphal return of the 1990s as a creative force. “Suddenly contemporary art” it crows, “was part of popular culture. The Royal Academy’s landmark Sensation

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nginx/1.17.10 show in 1997 was a

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turning point.” It was so indeed, but not exactly in the terms the article intends. Here […]

It is understandable that, in current circumstances, major arts institutions should try to ally themselves with the more anarchic, contrarian elements in contemporary culture. Perhaps this is

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especially true of those dealing with the contemporary visual arts, committed as these still are to the myth of ‘avant-gardism’. One problem that immediately presents

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nginx/1.17.10 itself, of course, is that this myth is […]

It is understandable that, in current circumstances, major arts institutions should try to ally themselves with the more

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anarchic, contrarian elements in contemporary culture. Perhaps this is

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nginx/1.17.10 especially true of those dealing with the contemporary visual arts, committed as these still are to the myth of ‘avant-gardism’. One problem that immediately presents itself, of course, is that this myth is […]

Today John Constable’s The Lock, painted in 1824, sold at Christie’s for £22.4 million. In the current art market of silly prices some lucky person got the bargain of their lives. Let us hope the picture will be placed in a museum, where people might enjoy it, instead of disappearing into a

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nginx/1.17.10 Swiss warehouse as the investment

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bauble of some […]