Sir Nicholas Serota, director of the Tate Gallery, has used the platform of the BBC in a blatant attempt to deceive the nation. Either that or he is genuinely deluded himself. Both options render him unfit for major public office. He was confronted on Radio 4 programme The Reunion: Tate Modern on September 23rd by… Continue reading Charles Thomson: Lies, Damned Lies and Serota at the BBC
Tag: Arts Council
Art under kleptocracy
Another month, another book on the contemporary art economy, this time from an overlooked perspective. The New Economy of Art, a joint publication by DACS and Artquest, looks at the art market from the POV of the average artist. Not surprisingly, it… Continue reading Art under kleptocracy
‘Sculpture’ v. sculpture
Among the least impressive legacies of arts administrators’ obsession with Modernism and its aftermath is the impossibility of predicting a work’s status solely from its appearance. You might form your own view about it, but you can’t predict what State Art’s opinion will be because there are no published criteria or guidelines for making such… Continue reading ‘Sculpture’ v. sculpture
‘Sculpture’ versus Sculpture
Among the least impressive legacies of arts administrators’ obsession with Modernism and its aftermath is the impossibility of predicting a work’s status solely from its appearance. You might form your own view about it, but you can’t predict what State Art’s opinion will be because there are no published criteria or guidelines for making such… Continue reading ‘Sculpture’ versus Sculpture
Arts Council – time for action
A submission to the House of Commons’ Select Committee for Culture concerning their short enquiry into the commissioning criteria used by the Arts Council of England. From the editor of The Jackdaw Your interest in the artistic criteria underpinning ACE’s funding decisions is a subject which has long exercised me. I wish to demonstrate here… Continue reading Arts Council – time for action
The Art Fund subverted: they were only playing leapfrog
The separate bodies contributing to State Art are now so interrelated, so cosily acquainted, their personnel so readily interchangeable and of identical mindset, that they might as well join forces. (… Liz Forgan is sacked from the Arts Council but remains a Trustee of the Art Fund; James Lingwood swallows his annual million from the… Continue reading The Art Fund subverted: they were only playing leapfrog
Olympic legacy: money for nothing
I am not happy again. We have become used to hearing weekly wails of distress from the Arts Council about how broke they are followed by melodramatic predictions of the cultural desert awaiting as punishment for state parsimony. It is their belief they should be exempted from the austerity allegedly endured elsewhere. Their moans receive… Continue reading Olympic legacy: money for nothing
Evelyn Williams, and another case of the public denied
In the last issue I considered the case of a single-minded good artist, David Mulholland from Middlesbrough, whose memory, in the absence of any official recognition or support, has to be kindled for posterity’s sake by friends and family. By The Jackdaw’s usual standard of eliciting no comment whatsoever, this caused a considerable mailbag from… Continue reading Evelyn Williams, and another case of the public denied
Top people
The new Culture Minister is Maria Miller. Her background is in marketing (Texaco and an ad agency) which means she’ll be in heaven when blather is required. She was born in Wolverhampton and is MP for Basingstoke, both places whose connections to Culture are so obvious they don’t need repeating here. She joined the Conservative… Continue reading Top people
Hitting the bottle
The National Maritime Museum in Greenwich has bought for £362,500 the ship in a bottle by Yinka Shonibare which had sat ornamentally becalmed on the fourth plinth in Trafalgar Square for the previous 18 months. It is the Greenwich museum’s job to collect ships and related tackle and, lately, any sea-related nonsense deemed ‘challenging’ by… Continue reading Hitting the bottle