Among the least impressive legacies of arts administrators’ obsession with Modernism and its aftermath is the impossibility of predicting a work’s status solely from its appearance. You might form your own view about it, but you can’t predict what State Art’s opinion will be because there are no published criteria or guidelines for making such a judgement. You can’t second […]
American painter Christopher Wool (b. 1955) has been described by the New Yorker as “perhaps the most important painter of his generation”. Christie’s are in less doubt, describing him as “one of the last century’s most influential artists”. Even by the risible standards of bullshit spouted by auction houses and art dealers this is ridiculous. I’ve never heard anyone, artist […]
American painter Christopher Wool (b. 1955) has been described by the New Yorker as “perhaps the most important painter of his generation”. Christie’s are in less doubt, describing him as “one of the last century’s most influential artists”. Even by the risible standards of bullshit spouted by auction houses and art dealers this is ridiculous. I’ve never heard anyone, artist […]
Such is Ai Weiwei’s predictable status as a heroic dissident, that he could select an object blindfold and if he then exhibited it under his name it would automatically be said to be ‘about’ oppression or, as is more frequent these days, the individual’s place in the collective. The recently refurbished chapel in the grounds of the park (see illustration), […]
Richard Wilson’s 77-tonne, £2.5 million sculpture Slipstream in Terminal 2 at Heathrow looks better in small, professionally taken photographs. In the flesh it disappoints. Looking more like a plane crash or an imploded barrage balloon than the rolling Spitfire which is claimed to have inspired it, it is so huge and so easily disappears into the building that many passengers […]
The ever so charitable Serpentine, which gives the public indigestible quantities of what it can’t stomach, held an annual summer bash for all its rich mates, and, blow me down, guess who deigned to show up. He’s probably not been at the gallery since last […]
Two months ago, having been criticised for their useless visual arts coverage, which tends to be levelled at children and others of grotesque collective ignorance, the BBC promised us a raft of excellent arts programmes. Perhaps things were looking up. One of these has now hit the screen … with a splat. The organisation has clearly learned nothing from the […]
In the first few years of the National Lottery, museums were built employing architects who had no interest in museums per se but instead limitlessly indulged their own vanity. Those who drew attention to the blatant unsuitability of resulting buildings were dissed as old-fashioned, traditional and behind the architectural times. The result of this defended process was that buildings materialised […]
What a kerfuffle occurred recently concerning how much the House of Commons has spent – £250,000 in 20 years no less – on portraits of its more distinguished and long-serving members. How shocking and self-indulgent was the general tenor of the response. Well, no actually. To get two dozen paintings for 250 grand suggests someone is driving a hard bargain […]
The self-portrait by Van Dyck is the subject of a deferred export licence in order to give British museums an opportunity to find the £12.5 million required to stop it going abroad. The NPG, where the picture is currently on show drumming up donations, has started a campaign to raise £12.5 million to acquire the picture. They have raised £1.2 […]
