in Essays

Modernism and the novelty trap

Giles Auty considers the purchase of Jackson Pollock’s Blue Poles by the

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National Gallery of Australia in Canberra in 1973 and what such an acquisition signifies. A few months back, a rash of articles appeared in the press
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which commemorated the dismissal of the Whitlam government thirty years ago and commented 404 Not Found on the continuing sense of grievance felt by his […]