in Essays

Modernism and the novelty trap

Giles Auty considers the purchase of Jackson Pollock’s Blue Poles by

404 Not Found

the National Gallery of Australia in Canberra in 1973 and 404 Not Found what such an acquisition signifies. A few months back, a rash of articles appeared in the press which commemorated the dismissal of the Whitlam government thirty years ago and commented on the continuing sense
of grievance felt by his […]