in Essays

Modernism and the novelty trap

Giles Auty considers the purchase of Jackson Pollock’s Blue Poles by the National Gallery of Australia in Canberra in 1973 and what such an acquisition

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signifies. A few months back, a rash 404 Not Found of articles appeared in the press which commemorated the
dismissal of the Whitlam government thirty years ago and commented on the continuing sense of grievance felt by his […]