Dick French: On The Town – July 2017

I heard on the wireless that Cornelia /* xin2 */ Fluff has just been

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appointed ‘Official

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Sculptor’ for the General Election. What can this mean? She’s obviously a bit of a Leftie so

paper, I imagined as much bigger, but in fact it’s a modest //--> work. I’d like to have seen it much bigger.

It would have been outrageous. Cherry Pie of 2016 is delightful, as is Burger To Go of ’99. Quite why I like them so much is difficult to say. Maybe I’m pathetically grateful for finding visual pleasure in a modern painting. He slips thick streaks google_ad_client = "ca-pub-3967079123942817"; of lemon yellow into paintings of

another of their would-be photo combines. Don’t they ever get fed up with themselves? Year after year the same old flashy muck.

There’s a painting worth looking at by Anthony Eyton of an Indian festival google_ad_slot = "8637400688"; in Varanasi.

Cornelia Parker is still flattening teapots. Habits acquired in art school are hard to relinquish.

Prices are unbelievable. Gormless has done a

woodcut in an edition of

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5 src="//pagead2.googlesyndication.com/pagead/show_ads.js"> at £30,250 each. That should keep him in vegetables for a while. And Macfisheries shows a linocut in an edition of 50 at £2,800. Fluff pops up yet again with a

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“polymer photogravure etching on Tiepolo Bianco paper” if you please. Edition of 15 at £3,025 a pop.

There’s a neon sign by Biffa Bacon’s mother in an edition of 3 at £84,000 each. So rush along all you bargain hunters, why don’t you.

An etching src="//pagead2.googlesyndication.com/pagead/show_ads.js"> Girls Girls Girls by Cathy Pilkington, newly appointed Royal Academy Professor of Sculpture no less, is certainly a step up from her hideous sculptures which are curiously but understandably not on display.

There’s

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even Julian Schnabel – remember

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him? – with a rather modestly sized load of smashed plates painted green. Nearby is a truly revolting intestinal jumble in bloody reds and pinks.
It was so obscene I almost liked it. Then I realised it was

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by /* xin-1 */ Hamish Kipper, but I don’t suppose he made it himself.

With a few exceptions all this work seems to be a constipated extension /* 9-970x90 */ of what they were doing at art school. There are no google_ad_slot = "6023194682"; surprises. At college in the ’60s there was a chap who wrote in his thesis that by 1970 google_ad_slot = "7160667483"; all

innovations would had been achieved and that the future would be given over to what he called ‘conservative abstraction’. A percipient fellow, his prediction has come to pass.

News from the grotto. The Sage writes from the wild country to tell me that the public lavatories in his local

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market