Manet at the Royal Academy

Seven years ago the

Courtauld Institute mounted a thrilling exhibition by showing google_ad_height = 90; only two

equally dazzling and also ambiguous, even mysterious,

in subject. Of //--> both pictures one

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asks in genuine bewilderment: ‘What is going on here?’ And google_ad_slot = "6023194682"; the

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answer src="//pagead2.googlesyndication.com/pagead/show_ads.js"> is up to you to make of them what you will
by considering every last detail.

Manet’s best paintings

rarely fall easily into any genre; an ulterior motive, even in what might appear to be a straightforward portrait,
is never far away. For example, what is this

interrupted reader in The Railway doing beside the track with a bunch of grapes on

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the parapet, a puppy dog, a hissing loco and an apparently
bored daughter? Whatever it is, there is

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clearly more than

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meets the eye in the

painter’s relationship with his favourite src="//pagead2.googlesyndication.com/pagead/show_ads.js"> model
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