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The Belgian Blake: Alexander Adams visits two little-known artist-museums in Brussels, the Musées Wiertz and Meunier

The house-museums of two Belgian masters of the 19th Century shed


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light on artistic and social concerns of the era. As case studies they exemplify dominant thematic trends in both halves of that century – Romanticism in the first half and Realism in 404 Not Found the second. Antoine Wiertz (1806-1865) was born to an impoverished family in Dinant,

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Wallonia (later Belgium). After […]