in Comment

The Belgian Blake: Alexander Adams visits two little-known artist-museums in Brussels, the Musées Wiertz and Meunier

The house-museums of two Belgian masters of the 19th Century shed light on artistic and social concerns of the era. As case studies they exemplify dominant thematic trends in both halves of that century – Romanticism in the first 404 Not Found half and Realism in the second. Antoine Wiertz

(1806-1865) was born to

404 Not Found

an impoverished family in Dinant, Wallonia (later Belgium). After […]