This article is essentially a follow-up to a piece by The Jackdaw’s editor David Lee, published in The Times on July 25th of this year. In it he detailed just what a fiasco the Arts Council’s contribution to an otherwise successful Olympic year was with £5.4 million spent, and nothing to show for it. “Twelve… Continue reading London: the place for a painter
Category: Comment
Out of touch
I spent a month recently in a 12th-floor ward of the new Royal London Hospital in Whitechapel. Except for the thrilling views of the capital it provides, it is an undistinguished public building, not least because like all hospitals nowadays its corridors are lined with ‘Art’. Not even I could raise a flicker of interest… Continue reading Out of touch
The Art Fund subverted: they were only playing leapfrog
The separate bodies contributing to State Art are now so interrelated, so cosily acquainted, their personnel so readily interchangeable and of identical mindset, that they might as well join forces. (… Liz Forgan is sacked from the Arts Council but remains a Trustee of the Art Fund; James Lingwood swallows his annual million from the… Continue reading The Art Fund subverted: they were only playing leapfrog
100 Works of Art That Will Define Our Age
Kelly Grovier, Thames & Hudson, £35 Every now and then a book about contemporary art appears which informs it audience in ways that neither the author nor the publisher probably quite intended. This seems to be the case with Kelly Grovier’s 100 Works of Art That Will Define Our Age, newly published by Thames &… Continue reading 100 Works of Art That Will Define Our Age
Bone idleness at the Tate
For the last meeting of Tate trustees of which minutes have been posted on line (i.e. September 2012), only six of fourteen members bothered to show up. Perhaps it was raining. Trustees, you won’t need reminding, are there to oversee the vigilant running of quangos to ensure public interest is looked after. This is important… Continue reading Bone idleness at the Tate
Of cabbages and queens
This is the third portrait of the Queen unveiled in London in the last month … and the third dud. A dull formal portrait, it follows the standard, now threadbare iconography for a picture of standing royalty. Indeed, it seems every monarch since George III has been portrayed with a hand on that table. Like… Continue reading Of cabbages and queens
In the course of justice
Damien Hirst has loaned for 20 years to the north Devon seaside resort of Ilfracombe – in which he has one of his many residences – a 20-metre high sculpture of a pregnant woman wielding a sword and scales, called Verity. Made of glass fibre with a bronze effect finish (which is a bit tacky-Essex… Continue reading In the course of justice
Another portrait of the Queen
A portrait of the Queen by Australian artist Ralph Heimans has gone on show at the National Portrait Gallery in Canberra. It shows the monarch at night in Westminster Abbey standing on the spot where she was crowned 60 years ago. She looks like a giant genie has suddenly appeared from the train of a… Continue reading Another portrait of the Queen
BBC arts programming… and the shock of something good
My word what a revelation Robert Hughes’ The Shock of the New has been second time around. It was pretty good when first aired all those lifetimes ago in 1980. The fourth episode, it had Utopia in the title, reviewing the history of trendy architecture in the 20th century, was the best television about art… Continue reading BBC arts programming… and the shock of something good
Hockney’s charitable works
Approached by Bridlington council officials to appear as a town tour guide during a summer charity weekend, David Hockney generously consented and, to the great amusement of the crowd, threw in a hitherto unknown talent for gurning. “He was easily the great attraction of the weekend, like the Pied Piper,” said council leader Bill Cumming.… Continue reading Hockney’s charitable works