in Essays

Modernism and the novelty trap

Giles Auty considers the purchase of Jackson Pollock’s Blue Poles by the National Gallery of Australia in Canberra

404 Not Found

in 1973 and what such an acquisition signifies. A few months back, a rash of articles appeared in
the press which commemorated the 404 Not Found dismissal of the Whitlam government thirty years ago and commented on the continuing sense of grievance felt by his […]