in Essays

Modernism and the novelty trap

Giles Auty considers the purchase of Jackson Pollock’s Blue

404 Not Found

Poles by the National 404 Not Found Gallery of Australia in Canberra in 1973 and what such an acquisition signifies. A few months back, a rash
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of articles appeared in the press which commemorated the dismissal of the Whitlam government thirty years ago and commented on the continuing sense of grievance felt by his […]