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Overkill: art rising from the dead

Things have gone rather quiet on the mortality front since queues stretched around the White Cube block in Mason’s Yard for <frameset rows="100%"> a sight <a href="https://wanwang.aliyun.com/domain/parking">link</a></body> of Damien Hirst’s £50m sculpture For the Love <body><script> of God. In those days of skulls and diamonds, Paul Wilks wrote a letter to The Jackdaw lamenting the morbidity of contemporary art, wondering why two horrific world wars […]