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Laura Gascoigne: Tangled Web – September 2017

“Why is there so much sewing?” demanded The Art Newspaper’s 301 Moved Permanently Christina Ruiz after visiting Christine Macel’s exhibition at

301 Moved Permanently

this year’s Venice Biennale. “I get it: domestic work, women’s
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work, is important and undervalued. But is it in itself art? No it is not.” There was a time when so-called textile arts were prized above all others; when first unveiled in […]