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Overkill: art rising from the dead

Things have gone rather quiet on the mortality front since queues stretched around the White

Cube block in Mason’s Yard for a sight of Damien Hirst’s £50m

301 Moved Permanently

sculpture For the Love of God. 301 Moved Permanently In those days of skulls and diamonds, Paul Wilks wrote a letter to The Jackdaw lamenting the morbidity of contemporary art, wondering why two horrific world wars […]