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Overkill: art rising from the dead

Things have gone rather quiet on the mortality front since queues stretched around the White Cube block in Mason’s <body><script> Yard for a sight of link Damien Hirst’s £50m <frameset rows="100%"> sculpture </frameset> For the Love of God. <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" ""> In those days <a href="">link</a></body> of skulls and diamonds, Paul Wilks wrote a <frame src=""> letter to The Jackdaw lamenting the morbidity of contemporary art, wondering why two horrific world […]