Hitting the right tone (or tits first)

noisiest breasts in the show. One subject of the picture is perhaps what the ageing process does to flesh and muscle, although google_ad_client = "ca-pub-3967079123942817"; the painter has presented it in
an original and not necessarily unflattering google_ad_width = 970; way, suggesting that while the run in to death might be sad
it is not always unsightly.

Somewhat off sharp focus and pinned specimen-like to an unfinished background to which the figure’s outline is here and there uncomfortably cut, the sitter confronts us very slightly as if from the google_ad_slot = "8637400688"; past, as though the google_ad_slot = "7160667483"; painter has approached her subject wistfully. Auntie seems not to be fully in

the present and src="//pagead2.googlesyndication.com/pagead/show_ads.js"> invites thoughts of how in old

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age personalities, histories, gradually dissolve. It is a nicely judged picture, and there’s love in

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Isabella Watling presents The Importance of Being Glenn. Less conspicuous and subtler than the winner,

it is duller but arguably more artfully painted. Watling

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is the more impressive painter for having been classically trained at the Charles H Cecil Academy in Florence, where she is still a student. Indeed,


the winner of the Young Artist’s prize, Jamie Routley, is also google_ad_slot = "6023194682"; a graduate

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of this school, as
is another potentially successful young artist Tim Gatenby, for a portrait of his grandmother. Any of these three might win the prize


in the future. The work of the Cecil Academy’s graduates – the impressive Frances Bell is another – stands out
in the context of those paintings which use overbearing narratives, a cornucopia of details, sloppy
painting and overblown heads copied from photographs or projections. Look out //--> for this quartet, their pictures


sit back and wait for the discerning passer-by.

There were also convincing efforts observation rather than deliberate sloppiness and vulgar src="//pagead2.googlesyndication.com/pagead/show_ads.js"> gimmicks.

An intriguing oddity is a stylised scene in /* xin2 */ a Japanese sushi restaurant, painted by Carl Randall (who won the

Travel Award), which is


not strictly speaking

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a portrait so much as a novel documentary. Seen almost from above, assorted diners are trapped in their own worlds and silhouettes while troughing busily with chopsticks.

One welcome addition this year is the judges’ statements – albeit too brief – as to why they selected the prizewinners. This should be done as a matter of routine in all

competitions of this sort. If organisers are to continue with such elaboration it must be better done next year. Third-prize winner, Alan Coulson, is praised as follows: “The modulation of tone and attention to detail successfully brought
the style and subject together.” ‘Modulation
of tone’ is a cliché, doubly unhelpful in this instance because Coulson’s isn’t a tonal painting. Perhaps what is really meant here
is the google_ad_height = 90; even gradation from light to dark, which


is indeed carefully modulated in the sitter’s white T-shirt, but nowhere else.

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Looking at the list of judges, it occurs that there isn’t a
painter present, an accomplished sculptor yes, but not a
painter. A painter as

a judge in a painting prize may be too obvious a step for the State Art establishment


but it would

have saved google_ad_width = 970; them making such a ham-fisted mistake.

The second prizewinner, meanwhile, was chosen because it was “intensely atmospheric, thoughtful and focused” – “murky”

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seems more
appropriate. If you’re desperately
trying to find something to say google_ad_client = "ca-pub-3967079123942817"; this is the kind
of adaptable phrase applicable to most paintings. src="//pagead2.googlesyndication.com/pagead/show_ads.js"> When justifying a google_ad_width = 970; choice, it must be done more convincingly than this by avoiding such flannel, so that we viewers enjoy the benefit of the judge’s greater expertise – then we are able to say “Oh yes, well spotted, so google_ad_client = "ca-pub-3967079123942817"; it is”, and not respond /* xin-1 */ with a bewildered “Eh?”. As it stands with this year’s explanatory efforts one can

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have //--> no confidence that the judges have a clue why those selected for honour are outstanding
the company.

For all its usual failings – not least the fact that a good twenty pictures don’t deserve to be hung at all

– this is