Remain alert to the possibilities, eyes up instead of down, looking about instead of google_ad_width = 970;
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by a small screen, and daily
life will furnish marvels,
often in unexpected places. Exploring the streets and free institutions of a city src="//pagead2.googlesyndication.com/pagead/show_ads.js">
like London is a journey through
natural and man-made masterpieces, ingenuity everywhere apparent. To stand any
such a sweetshop official Contemporary Art needs to try a lot harder than
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it has so far.
Here are some sights that have captured my attention in only the last few days: the perfect functional simplicity of a clinker built signal box standing high over a complex railway junction; Lindsay Clark’s
war memorial on //-->
Borough High Street – a crouching Tommy advancing through slutch and rotting flesh, death imminent; sublime choreography
in a suburban garden; the physics-defying flying monster, all Mekon forehead, that is the aircraft
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specially designed to carry
watch the greatest works by the greatest artists in the greatest art form of the 20th century that is popular cinema. In the last fortnight alone Michael Curtiz, Welles, Coppola, Fellini, the Boulting brothers, Kubrick, Michael Powell, Tarantino, Tarkovski, Marcel Carné, Scorsese,
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Eastwood, René Clair, Visconti, Mike
Nicholls, MGM, Renoir, Sergio Leone … Stories and spectacles galore, collaborations of vast teams of those uniquely skilled with paint, music, sounds, costume, movement and google_ad_height = 90;
make-believe, all with a powerful urge to entertain.
400;"> Everywhere, in our free galleries, at home, on line, in the sky and in the street, and from the top deck of the 73 bus, we are gifted the miracles of geniuses making our lives better.
And yet
the shower placed in charge of visual art supposedly for our google_ad_slot = "6023194682";
benefit
gush critical superlatives – in deluded expectation of eliciting the same google_ad_client = "ca-pub-3967079123942817";
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from us – about
