Editorial – November 2017


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high over a complex railway junction; Lindsay Clark’s
war memorial on Borough High Street – a crouching Tommy
advancing through slutch and rotting flesh,

touched by Alexander /* xin2 */ himself; a plain ash Gretsch in

Denmark Street; Robert Krasker’s graphics in Odd Man Out; the suicide of
a fraudulent City banker in Trollope’s The Way We Live Now, still

relevant 150 years later;


the gleaming, rail-blue Deltic Alcydon switched off in a siding; Peggy Sue Got Married … in the Co-op; google_ad_slot = "6023194682"; the arch-forming planes along Rosebery Avenue; Chimes google_ad_width = 970; of Freedom live at the Newport Festival; a sleek bicycle stronger

​ than steel and weighing less than a bag of sprouts; prankster

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Bruce McLean’s brilliant four-minute video I Want My Crown in Leeds Art Gallery; the De Chirico block that is Mount Pleasant Post Office; that special old girl, Betty Higden, taking to the roads in Our Mutual Friend; a goldcrest

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in a suburban
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garden; the physics-defying
flying monster, all Mekon forehead, that is the aircraft specially google_ad_height = 90; designed to carry Airbus wings from Hawarden to Toulouse; Gilbert Bayes’s


sculpted frieze on the Odeon cinema, formerly the Art Deco Saville
on Shaftesbury Avenue, recording the history of drama and dance through the ages; Rex Whistler’s masterpiece of panoramic trompe l’oeil muralism at Plas Newydd; darting swallows in Holman Hunt’s The Hireling Shepherd…

And then every night on

the television or on YouTube or catch-up, and almost free, we

can watch the
greatest works by the greatest artists in the greatest art //--> form of the 20th century that is popular cinema. In the last

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fortnight alone Michael Curtiz, Welles, Coppola, Fellini, the Boulting brothers, Kubrick, Michael Powell, Tarantino, Tarkovski,

Marcel Carné, Scorsese, Vittorio De Sica, Eastwood, René Clair, Visconti,
Mike Nicholls, MGM, Renoir,


Sergio Leone … Stories and spectacles galore, collaborations of vast teams of those
uniquely skilled with paint, music, sounds, costume, google_ad_client = "ca-pub-3967079123942817"; movement and make-believe, all with a powerful urge to entertain.

style="font-weight: 400;"> Everywhere, in our free galleries, at home, on line, in the sky and in the street, and from the top deck of the 73 bus, we are gifted the


miracles of geniuses making our lives better.

And yet the shower placed in charge of visual art supposedly for our benefit gush critical google_ad_height = 90; superlatives – in deluded expectation of eliciting the google_ad_slot = "8637400688"; same response from us

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– about a plaster cast of the inside of a hot water bottle or


the space underneath a chair. Really, who do these gullible twerps think they are kidding? State Art and its creepy
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