Editorial – November 2017

AND I SAY TO MYSELF

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high over a complex railway junction; Lindsay Clark’s
war memorial on Borough High Street – a crouching Tommy
advancing through slutch and rotting flesh,

touched by Alexander /* xin2 */ himself; a plain ash Gretsch in

Denmark Street; Robert Krasker’s graphics in Odd Man Out; the suicide of
a fraudulent City banker in Trollope’s The Way We Live Now, still

relevant 150 years later;

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the gleaming, rail-blue Deltic Alcydon switched off in a siding; Peggy Sue Got Married … in the Co-op; google_ad_slot = "6023194682"; the arch-forming planes along Rosebery Avenue; Chimes google_ad_width = 970; of Freedom live at the Newport Festival; a sleek bicycle stronger

​ than steel and weighing less than a bag of sprouts; prankster

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Bruce McLean’s brilliant four-minute video I Want My Crown in Leeds Art Gallery; the De Chirico block that is Mount Pleasant Post Office; that special old girl, Betty Higden, taking to the roads in Our Mutual Friend; a goldcrest

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in a suburban
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garden; the physics-defying
flying monster, all Mekon forehead, that is the aircraft specially google_ad_height = 90; designed to carry Airbus wings from Hawarden to Toulouse; Gilbert Bayes’s

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sculpted frieze on the Odeon cinema, formerly the Art Deco Saville
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Theatre,
on Shaftesbury Avenue, recording the history of drama and dance through the ages; Rex Whistler’s masterpiece of panoramic trompe l’oeil muralism at Plas Newydd; darting swallows in Holman Hunt’s The Hireling Shepherd…

And then every night on

the television or on YouTube or catch-up, and almost free, we

can watch the
greatest works by the greatest artists in the greatest art //--> form of the 20th century that is popular cinema. In the last

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fortnight alone Michael Curtiz, Welles, Coppola, Fellini, the Boulting brothers, Kubrick, Michael Powell, Tarantino, Tarkovski,

Marcel Carné, Scorsese, Vittorio De Sica, Eastwood, René Clair, Visconti,
Mike Nicholls, MGM, Renoir,

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Sergio Leone … Stories and spectacles galore, collaborations of vast teams of those
uniquely skilled with paint, music, sounds, costume, google_ad_client = "ca-pub-3967079123942817"; movement and make-believe, all with a powerful urge to entertain.

style="font-weight: 400;"> Everywhere, in our free galleries, at home, on line, in the sky and in the street, and from the top deck of the 73 bus, we are gifted the

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miracles of geniuses making our lives better.

And yet the shower placed in charge of visual art supposedly for our benefit gush critical google_ad_height = 90; superlatives – in deluded expectation of eliciting the google_ad_slot = "8637400688"; same response from us

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– about a plaster cast of the inside of a hot water bottle or

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the space underneath a chair. Really, who do these gullible twerps think they are kidding? State Art and its creepy
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