Editorial – March 2017

Is There

A Doctor in House? //-->

Dennis Skinner once quipped loudly across the Commons to a faltering

Cecil Parkinson at the Despatch Box, ‘It’s the in-breeding google_ad_width = 970; that does it!’ google_ad_height = 90; I was reminded of this amusing sneer when Doctor Maria Balshaw was announced as Serota’s replacement, an elevation met

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with the customary uncritical lauding /* xin-1 */ with which a
fawning Fourth Estate

all State Art appointments.


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comes with all the genetic defects of the State google_ad_client = "ca-pub-3967079123942817"; Art clone. She’s boyishly “enthusiastic”, has “energy and excitement”, does daily yoga and charity triathlons and has even won

a ‘Personality of the Year’ award. She has mounted “exhibitions of international significance” i.e. of the usual suspects. She has taught ‘art theory’, albeit at a pretend university. She is also adept at “campaigning” and beyond reproach at
self-congratulation and the exaggeration of what she understands as her achievements. And she knows the State Art Political Correctness scriptures, all sixteen volumes,

by rote and quotes fluently from them at every opportunity.

In charge since 2006, she has wrecked the Whitworth Art Gallery with an unnecessary and ugly extension. She claims she transformed it into “a triumph on the international stage”, “a truly state

of the art space”. I think this latter means it’s double the size whilst giving the impression there’s
hardly anything to look at. She src="//pagead2.googlesyndication.com/pagead/show_ads.js"> filled it with over-exhibited conceptual art of no

​ discernible distinction. And if

may sleep easy. Incidentally, her feeble additions to the Whitworth collection will, in the future, embarrass


even her.

She left the City Art Gallery more or

less //--> alone (she was placed in charge there as well in 2011), though


pictures have google_ad_client = "ca-pub-3967079123942817"; inexplicably disappeared. I’ve

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not seen Tim Clifford’s expensive ‘Duccio’ for ages. Where is it? She’s also susceptible to puerile stabs at populism: placing Banksy’s infantile google_ad_height = 90; agitprop alongside Etty’s brilliant soft-porn masterpiece of Ulysses and The Sirens shows, for example, an unerring
gift for the fatuous juxtaposition.

Naturally, with her grounding in

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State Art, conflicts of interests are water off a
duck’s back: since 2014
she has

served on


the Arts Council … which funds the Whitworth.

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style="font-weight: 400;">She is now in charge of the national collection of British art //--> and


the google_ad_height = 90; scholarship of its history, or what’s left of it at the Tate. Don’t be thrown by the ‘Doctor’ tag, her contribution to scholarship is
nil. It’s
a frightening thought that the supremacy of State Art has brought us from the academic peaks of google_ad_slot = "8637400688"; Professor Bowness to this in under a generation. Needless to say she writes eighty-proof drivel.


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400;">With those like Balshaw who’ll do and say anything to get on, you see them in their
true colours when, like


the snake-oil salesmen google_ad_slot = "6023194682"; they are, they try to convince you to disbelieve your eyes. But the expensive haircut, the
pushy clothes, the bouncy
arm-flapping, these cut no ice at such moments. It was Balshaw Manchester can thank for spending £400,000 on the silliest