Serpentine Gallery: working at home

The last three

editorials have dealt with a charity called the Serpentine Gallery. We’ve observed limousines lined up outside signifying whose interests the google_ad_slot = "8637400688"; gallery really serves. We have identified overmanning and fat cat pay increases for two directors.
And, last time, we highlighted google_ad_slot = "7160667483"; an outside PR agency
working between
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press and gallery in

order to disarm justified criticism.

size-full wp-image-1282" title="Stephens 742

一口价出售中!

copy" src="http://www.thejackdaw.co.uk/wp-content/uploads/2014/10/Stephens-742-copy.jpg" alt="" width="3317" height="1932" srcset="http://www.thejackdaw.co.uk/wp-content/uploads/2014/10/Stephens-742-copy.jpg 3317w, http://www.thejackdaw.co.uk/wp-content/uploads/2014/10/Stephens-742-copy-300x174.jpg 300w, http://www.thejackdaw.co.uk/wp-content/uploads/2014/10/Stephens-742-copy-1024x596.jpg 1024w, http://www.thejackdaw.co.uk/wp-content/uploads/2014/10/Stephens-742-copy-94x55.jpg 94w" sizes="(max-width: 3317px) 100vw, 3317px" />Apologies for boring you further, but there’s more. I’m not satisfied we’ve got to the bottom of Hans Ulrich Obrist’s presence at the Serpentine. He is, after all,

a
second highly overpaid
director in a publicly funded gallery whose peer organisations employ only one director

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for src="//pagead2.googlesyndication.com/pagead/show_ads.js"> a quarter of
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the cost of Obrist and