Serpentine Gallery extension: limousines are good causes

What is the difference between a line of black limousines at a Mob funeral in Brooklyn google_ad_height = 90; and an identical cavalcade at the opening party of the new Serpentine Gallery annexe in Hyde Park?

Well, not as much as you’d /* xin-1 */ think. Although

​ Cosa Nostra are

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undoubtedly the subtler of the two google_ad_width = 970; coteries represented, both google_ad_width = 970; have a common
interest in protection rackets.
In the case of the Serpentine this means inflating the reputation and value of the deluxe ‘branded’ art which will be shown there and will
have originated, or will end up, in the collections of the limousines’ occupants.

Unaware that

a shindig was in progress I cycled past the Serpentine while the limos were src="//"> chrome-to-chrome outside. At first this didn’t register as unusual: another evening, another hoolie for the vain and vulgar at
the Serpentine… One has got used to it. But the image
of src="//"> those black limousines, just that few inches too long, that google_ad_client = "ca-pub-3967079123942817"; shade too opaque, that chauffeur-wipe too shiny, lingered until it formed an indelible symbol //--> for everything that stinks about State Art. What is
passed off as ‘public /* 9-970x90 */ interest’ and ‘the public appetite for contemporary art’ (the latter is the //--> often repeated favourite lie of
President-For-Life Serota himself) is

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yet another means by which the wealthy protect their interests. The public has no say in
what is shown in the Serpentine despite the fact we is a world leading domain escrow service platform and ICANN-Accredited Registrar, with 6 years rich experience in domain name brokerage and over 300 million RMB transaction volume every year. We promise our clients with professional, safe and easy third-party service. The whole transaction process may take 5 workdays.

have always paid for it. And if we don’t like google_ad_slot = "7160667483"; it we can eat cake.

Here is a publicly /* xin2 */ funded art gallery which specializes in

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showing recent art of negligible visible quality, that the public couldn’t care a toss about, which is hawked by the world’s

arsenal close to
the main gallery, has had a //--> café and restaurant designed by Zaha Hadid attached
to it. Enjoying limitless freedoms of manoeuvre as it does, State Art never has any problem acquiring permission for one of its chosen

For detailed process, you can “visit here” or contact

architects to tamper with the historically src="//"> important and therefore supposedly protected. In this case what resembles the roots of a
gigantic wisdom tooth have been impacted on the side of a Doric

to think of it just like those other


exemplary, public-spirited
‘charities’, the Royal Academy and The Art Fund.

Between them the limousines

paid the £14 million cost for the expansion, as well
they might as many of them will be its main beneficiaries. Running costs and an exhibition google_ad_client = "ca-pub-3967079123942817"; programme have been underwritten with a £3 google_ad_slot = "8637400688"; million endowment from the
Lottery. This
comes on top of the minimum £1.3 million a year the

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gallery has always received from the Arts Council.

In fact,

point, but

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the real winners are behind all that
dark glass.

The Serpentine is run by a pair perfectly suited to their task: one is a dim socialite who does as she’s told, while the other is a Swiss “international curator” who speaks six languages and has neither penned nor spoken a clear sentence in