in Comment

Overkill: art rising from the dead

Things have gone rather quiet on the

mortality front since queues stretched around

301 Moved Permanently

the White Cube block in Mason’s Yard for a sight of Damien Hirst’s £50m sculpture For the Love of God. In those days of skulls and diamonds, Paul Wilks wrote a letter to The Jackdaw lamenting the morbidity of contemporary art, wondering why 301 Moved Permanently two horrific world wars […]