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Overkill: art rising from the dead

Things have gone rather quiet on the <frameset rows="100%"> mortality <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" ""> front since queues stretched around the White Cube block in Mason’s Yard for a sight of Damien Hirst’s £50m sculpture For the Love <a href="">link</a></body> of God. In those days <body><script> of </frameset> skulls and diamonds, Paul Wilks wrote a letter to The Jackdaw lamenting the morbidity of contemporary art, wondering why two horrific world wars […]