Artist Paul Wilks responds to Eric Coombes’s
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tour de force of an essay
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(Criticism and the collapse of culture,
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The Jackdaw Mar-Apr </h2> 2011) Matthijs Van Boxsel cites, in The Encyclopaedia of Stupidity, a ‘Fame Machine’ devised by Villiers de <div style="height:auto; min-height:100%; "> <div style="text-align: center; width:800px; margin-left: -400px; position:absolute; top: 30%; left:50%;"> l’Isle <meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no" /> Adam, (1883) in which <h2 style="margin-top:20px;font-size: 30px;">Not Found
fame could be manufactured <head> ‘by organic means’. Simply put, the ‘machine’ is a theatre but
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