Regular readers may recall from a recent editorial that when ‘we’ bought Yinka Shonibare’s Trafalgar Square bottle to stand outside the National Maritime Museum ten times more was paid for it than had ever been paid for a work by this artist at auction. That story of casual profligacy is now repeated in respect of… Continue reading Martin Creed: new definitions for ‘gift’
Tag: Scottish National Gallery of Modern Art
Evelyn Williams, and another case of the public denied
In the last issue I considered the case of a single-minded good artist, David Mulholland from Middlesbrough, whose memory, in the absence of any official recognition or support, has to be kindled for posterity’s sake by friends and family. By The Jackdaw’s usual standard of eliciting no comment whatsoever, this caused a considerable mailbag from… Continue reading Evelyn Williams, and another case of the public denied
Gruel for the masses
The State should be more circumspect than to behave like a private collector. Unfortunately, collecting and exhibiting in national collections according to narrow personal tastes and loyalties is established practice. Those employed to run Contemporary Art are selected because they have been carefully programmed in the tenets of State Art and if they have doubts… Continue reading Gruel for the masses