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Laura Gascoigne: Tangled Web – September 2017

“Why is there so much sewing?” demanded The Art Newspaper’s Christina Ruiz after visiting Christine Macel’s exhibition at this year’s Venice 502 Bad Gateway Biennale. “I get it: domestic work, women’s work, is important and undervalued. But


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is it in itself

502 Bad Gateway

art? No it is not.” There was a time when so-called textile arts were prized above all others; when first unveiled in […]