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Overkill: art rising from the dead

Things have gone rather quiet on the mortality front since queues stretched around the White 301 Moved Permanently Cube block in Mason’s Yard for a 301 Moved Permanently sight of Damien Hirst’s £50m sculpture For the Love of God. In those days of skulls and diamonds,

Paul Wilks wrote a letter to The Jackdaw lamenting the morbidity of

301 Moved Permanently

contemporary art, wondering why two […]