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Laura Gascoigne: Tangled Web – September 2017

“Why is there so much sewing?” demanded The Art Newspaper’s Christina Ruiz after visiting 301 Moved Permanently Christine Macel’s exhibition at this year’s Venice Biennale. “I get it: domestic work, women’s work, is important and undervalued. But is

301 Moved Permanently

it in itself art? No it is not.” There was a time when so-called textile arts were prized above all
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others; when first unveiled in […]