Tag: Laura Gascoigne

Wisely, Laura Gascoigne is unconvinced by art as investment. Equestrian statues of one sort or another are becoming a regular fixture on the Fourth Plinth. In 2012 we had Elmgreen & Dragset’s paedophile’s delight of the boy on the gilded rocking horse; next up in 2015 will be Hans Haacke’s equine skeleton, inspired by Stubbs,… Continue reading Poor man’s guide to art investing – don’t

Artists have re-discovered the cabinet of curiosities, which is to their and our advantage, argues Laura Gascoigne. “There really is no such thing as art. There are only artists.” Easy enough to say at a time of rationing when there are few varieties of artist about. When Gombrich made his famous statement in 1950 there… Continue reading Archive fever

It may have been the heat, but in the lead-up to the summer recess accusations of conflict of interest were flying around Whitehall like frisbees. First the PM’s Aussie electioneer Lynton Crosby was outed as a lobbyist for Big Tobacco just as the government announced its decision that plain cigarette packaging represented a danger to… Continue reading Mind the funding gap – Laura Gascoigne on NEDs and philanthropy

“Nothing and no one ever heard so many stupidities as a picture,” remarked Jules de Goncourt, and since he made his observation things have got worse. The insults to intelligence endured by 19th century pictures were as nothing to those routinely heaped on contemporary art. Some things never change, however. Stupidity almost always originates in… Continue reading Style guide to obfuscation (new updated edition): Laura Gascoigne investigates the continued manglings of syntax and punctuation by those with space to fill and nothing intelligible to say

The traditionalist lament for loss of skill is a distraction. The modernists were right about that: skill on its own is not enough. The first step on the road to recovery is to reinstate the visual as the sole and proper domain of art. Once it is generally agreed that art’s impact is essentially visual,… Continue reading Non-visual art: Laura Gascoigne argues for a restoration of the visual

If you go down to the woods today, you’re sure of a big surprise. That’s if the woods are Mortimer Forest in Herefordshire, and the surprise hasn’t by now been deliberately spoiled by tree-hugging vigilante forest rangers. Last spring, RCA graduate Philippa Lawrence took it into her pretty little head to barcode the trunks of… Continue reading Misplaced trust: tripping along with the teddy bears’ picnic, Laura Gascoigne looks at the obvious mismatch of the National Trust and contemporary art

In economically choppy waters, artists without lifejackets can be forgiven for clinging to any passing spar. So when a life raft floats past flying a flag marked ‘EDUCATION’, it’s understandable that they should haul themselves aboard. But the flag is misleading. The raft isn’t headed for the familiar port of art school, where people used… Continue reading Misappliance of Science: The marriage of art and science is one only of financial convenience, argues Laura Gascoigne

Two beavers are standing looking at the Hoover Dam and one says to the other, “I didn’t build it, but it was my design”. Cue laughter. Now picture the same gag line under a cartoon of two artists looking at an enormous public sculpture. The gag still works, but the laughter’s forced. Because while a… Continue reading Eh up Arup! Laura Gascoigne looks into the real brains behind the public sculptures we don’t need