in Essays

Modernism and the novelty trap

Giles Auty considers the purchase of Jackson Pollock’s Blue Poles by the National Gallery of Australia in Canberra in 1973

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and what such an acquisition signifies. A few months back, a rash of articles appeared in the press which commemorated the dismissal of the 404 Not Found Whitlam government thirty years ago and commented on the continuing
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sense of grievance felt by his […]