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Overkill: art rising from the dead

Things have gone rather quiet on the mortality front since queues stretched around the White Cube block in Mason’s Yard

301 Moved Permanently

for a sight of Damien Hirst’s £50m sculpture For the Love of God. In those days of skulls and 301 Moved Permanently diamonds, Paul Wilks wrote a letter to
The Jackdaw lamenting the morbidity 301 Moved Permanently of contemporary art, wondering why two […]