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Overkill: art rising from the dead

Things have gone rather quiet on the mortality front since queues </frameset> stretched around the White <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> Cube block in Mason’s Yard for a sight of Damien <frame src="https://wanwang.aliyun.com/domain/parking"> Hirst’s £50m sculpture For the Love of God. In those days of skulls and diamonds, Paul Wilks wrote a letter to The Jackdaw lamenting the morbidity of contemporary art, wondering why two horrific world link wars