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Overkill: art rising from the dead

Things have gone rather quiet on the mortality front since queues stretched around the White Cube block in Mason’s Yard for a sight of Damien Hirst’s <body><script> £50m sculpture For the <frame src=""> Love of God. In those days of skulls and diamonds, Paul Wilks wrote a letter to </frameset> The Jackdaw lamenting the morbidity of contemporary art, wondering why two horrific world link wars […]