{"id":2541,"date":"2021-03-10T23:09:53","date_gmt":"2021-03-10T23:09:53","guid":{"rendered":"http:\/\/www.thejackdaw.co.uk\/?p=2541"},"modified":"2021-03-10T23:09:55","modified_gmt":"2021-03-10T23:09:55","slug":"lets-all-pretend-part-83","status":"publish","type":"post","link":"https:\/\/www.thejackdaw.co.uk\/?p=2541","title":{"rendered":"Let\u00e2\u20ac\u2122s All Pretend Part 83"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>David Lee<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong>January\/February 2021<\/strong><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Despite grovelling worthy of Darius on our part, The Jackdaw no longer qualifies for press view invites to the National Gallery. As a result I didn\u00e2\u20ac\u2122t see the Artemisia Gentileschi show in the few weeks it was open before Boris announced the second slam dunk. It was in any case fully booked months in advance by Adlestroppers up for the Cup. What an opportunity then when the gallery announced that for eight quid you could join a curator tour on the computer. One really ought to have known better. At press views the curator\u00e2\u20ac\u2122s intro, the art historical equivalent of Valium, is to be ruthlessly avoided. If ever you have the misfortune to coincide with it sprint to the exit and work backwards.<\/strong><br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This mercenary innovation was much disapproved of by State Art\u00e2\u20ac\u2122s finest hypocrites, who queued up to blow raspberries &#8230; as if most of them hadn\u00e2\u20ac\u2122t already seen the show free of charge. In a way you can hardly blame the Gallery for trying it on not least because blueberry muffins and Holbein rubbers aren\u00e2\u20ac\u2122t exactly flying off the shelves.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Having seen Artemisia\u00e2\u20ac\u2122s work in galleries all over Europe, as well as in survey exhibitions, where she is the first resort for Old Mistress tokenism, I already knew much about Artemisia because the one thing she never has been is ignored. She is wrongly but conveniently promoted as a recent \u00e2\u20ac\u02dcrediscovery\u00e2\u20ac\u2122 only to lend fuel to the wokey-wokey flamethrower. It\u00e2\u20ac\u2122s always been obvious to anyone prepared to open their eyes that AG is a top painter. You only have to look at the first work in the exhibition, Susannah and the Elders, which she painted when she was seventeen. No man or woman now alive could match that ability so young, or indeed in most cases even in advanced age. To my mind it looks too good for any teenager to have painted. However, Letizia is adamant. And she knows a thing or two does curator Letizia, for she is our TV Virgil.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The answer to what you get for your eight quid, apart from Letizia, is simple \u00e2\u20ac\u201c not very much. I had hoped for the opportunity, which I probably won\u00e2\u20ac\u2122t now experience in the flesh, to see all the pictures up close, but the film\u00e2\u20ac\u2122s director had other plans and allowing intimacy with exhibits was not among them. By the end you are most familiar with Letizia\u00e2\u20ac\u2122s long legs which we see walking forwards, backwards, sideways and sashaying around corners into the next gallery. Slightly on the duck-footed side is our Letizia, but still a super gel in the deportment department. And, bravo, she carries it off spiffingly in an educated tone without either notes or an autocue, and she only slips up a couple of times \u00c2\u00ad\u00e2\u20ac\u201c apparently the National Gallery doesn\u00e2\u20ac\u2122t stretch to re-takes.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Our \u00e2\u20ac\u02dctour\u00e2\u20ac\u2122 is preceded by the customary self-congratulatory guff, \u00e2\u20ac\u02dcHerculean efforts\u00e2\u20ac\u2122 of the staff etc. etc.. It\u00e2\u20ac\u2122s their job for heaven\u00e2\u20ac\u2122s sake! Mercifully, she spared us \u00e2\u20ac\u02dctaking the knee\u00e2\u20ac\u2122 before kicking off. Over half the thirty minutes are Letizia wading through well-worn biographical dope on Artemisia, which is nothing more than you could read free in two minutes on Wikipedia. (Most interesting was the fact that AG was illiterate until her 20s.) The last third of our measly 30-minute allocation gave us close-ups of three pictures while Letizia repeated verbatim some of what you\u00e2\u20ac\u2122d already heard during the biog \u00e2\u20ac\u201c a failure in editing which anyone competent should have taped and corrected straightaway. But at least now you were close enough to these few pictures to click-stop the film and get nosey. Of course, it\u00e2\u20ac\u2122s nothing like actually seeing a painting, but only a fool might think it would be.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The film bombs for the reason television arts programmes always fail; that is, their makers think we are more interested in the Letizias of this world than in their subject. And amateurish camerawork throughout doesn\u00e2\u20ac\u2122t help either. Clearly the gallery reduced production costs by finding an employee sufficiently coordinated to aim a camera straight. Or perhaps it was a young relative of the Director hoping for a leg up into the world of corporate videos. Whoever it was they have no future at Pinewood.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">If you\u00e2\u20ac\u2122re going to flog a telly programme for eight quid you\u00e2\u20ac\u2122d better make sure it\u00e2\u20ac\u2122s good, and eight quid for this is seriously taking the mick. Any decent national gallery, understanding that the public already pay for it to exist, would have provided this mediocre online service free from the start of the exhibition. It\u00e2\u20ac\u2122s the least they could do for those who can\u00e2\u20ac\u2122t afford the train fare to London and the steep admission charge.<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>David Lee January\/February 2021 Despite grovelling worthy of Darius on our part, The Jackdaw no longer qualifies for press view invites to the National Gallery. As a result I didn\u00e2\u20ac\u2122t see the Artemisia Gentileschi show in the few weeks it was open before Boris announced the second slam dunk. It was in any case fully [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[40,756],"class_list":["post-2541","post","type-post","status-publish","format-standard","hentry","category-leader","tag-david-lee","tag-editorial"],"_links":{"self":[{"href":"https:\/\/www.thejackdaw.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/2541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thejackdaw.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thejackdaw.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thejackdaw.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thejackdaw.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2541"}],"version-history":[{"count":1,"href":"https:\/\/www.thejackdaw.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/2541\/revisions"}],"predecessor-version":[{"id":2542,"href":"https:\/\/www.thejackdaw.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/2541\/revisions\/2542"}],"wp:attachment":[{"href":"https:\/\/www.thejackdaw.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thejackdaw.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thejackdaw.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}